Fashion Theory: Fashion Theory Vol. 12, Issue 2 : The Journal of Dress, Body and Culture (2008, Paperback) by TXT, MOBI, EPUB
9781847881991 1847881998 'Fashion Curation' Special IssueExhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display.MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), 'Fashion Curation' Special IssueFashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue, "Fashion Curation,"& extends from the previous issue, "Exhibitionism" (Vol 12, Issue 1), to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display. This& issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector., Special Issue on Fashion Curation.Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display.MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), Special Issue: Fashion Curation. Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display. MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.
9781847881991 1847881998 'Fashion Curation' Special IssueExhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display.MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), 'Fashion Curation' Special IssueFashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue, "Fashion Curation,"& extends from the previous issue, "Exhibitionism" (Vol 12, Issue 1), to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display. This& issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector., Special Issue on Fashion Curation.Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display.MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.Indexed by the IBSS (International Bibliography of Social Sciences); the DAAI (Design and Applied Arts Index); ARTbibliographies Modern; Abstracts in Anthropology; the Anthropological Index Online (AIO) of the Royal Anthropological Institute of Great Britain and Ireland; Sociological abstracts; ISI Web of Science/Arts & Humanities Citation Index and ISI Current Contents Connect/Arts & Humanities (THOMSON); K.G. Saur Verlag's IBR (International Bibliography of Book Reviews of Scholarly Literature and Social Sciences) and K.G. Verlag's IBZ (International Bibliography of Periodical Literature on Humanities and Social Sciences), Special Issue: Fashion Curation. Exhibitions of fashion, textiles and dress in museums and galleries have grown inordinately over the last fifteen to twenty years. This special issue extends from the previous issue, Exhibitionism (Vol 12, Issue 1) to examine the considerations raised by teaching fashion curation as a discipline concerned with the cultural worth of dress on display. MA Fashion Curation at London College of Fashion (University of Arts London) was established in 2004 and this issue reflects the discourse generated from its programme and documents some of its initial projects.The special issue balances the practical and theoretical concerns of contemporary fashion curation and explores emerging cultural and commercial contexts for a practice informed by both academia and the museums and galleries sector.