John, Jr. Hayes - National Gallery of Art Systematic Catalogues: British Paintings of the Sixteenth Through Nineteenth Centuries read EPUB, FB2, TXT
9780521410663 0521410665 British masterpieces of grand-style portraiture and landscape painting are explored in this volume. Portraits such as Thomas Gainsborough's Mrs. Richard Brinsley Sheridan, as well as pictures by George Romney and Sir Henry Raeburn, attest to the influence of Sir Anthony van Dyck's more sophisticated European style on artists of the period. John Constable's Wivenhoe Park, Essexand Joseph Mallord William Turner's Keelmen Heaving in Coals by Moonlightare some of the best examples of British art of the eighteenth and nineteenth centuries., This volume is devoted to the paintings in the National Gallery of Art that were produced by British artists, or by foreign artists who spent the greater part of their working lives in Britain, from the sixteenth through the nineteenth centuries. Composed mainly of paintings acquired by such prominent nineteenth-century industrialists as Andrew Mellon and P.A.B. Widener, the core of this important collection is a series of portraits by such masters as Gainsborough, Lawrence, Raeburn, and Romney, who represent the "golden age" of British painting. Brilliant landscapes by Constable, Turner, and Wilson, among others, attest to another genre in which British artists have long excelled. Arranged alphabetically by artist, full catalogue entries articulate the history, style, content, and context of each work, with technical notes offering insight into the artists' working methods. The volume also contains introductory biographies of each artist, as well as an up-to-date bibliography for each painting.
9780521410663 0521410665 British masterpieces of grand-style portraiture and landscape painting are explored in this volume. Portraits such as Thomas Gainsborough's Mrs. Richard Brinsley Sheridan, as well as pictures by George Romney and Sir Henry Raeburn, attest to the influence of Sir Anthony van Dyck's more sophisticated European style on artists of the period. John Constable's Wivenhoe Park, Essexand Joseph Mallord William Turner's Keelmen Heaving in Coals by Moonlightare some of the best examples of British art of the eighteenth and nineteenth centuries., This volume is devoted to the paintings in the National Gallery of Art that were produced by British artists, or by foreign artists who spent the greater part of their working lives in Britain, from the sixteenth through the nineteenth centuries. Composed mainly of paintings acquired by such prominent nineteenth-century industrialists as Andrew Mellon and P.A.B. Widener, the core of this important collection is a series of portraits by such masters as Gainsborough, Lawrence, Raeburn, and Romney, who represent the "golden age" of British painting. Brilliant landscapes by Constable, Turner, and Wilson, among others, attest to another genre in which British artists have long excelled. Arranged alphabetically by artist, full catalogue entries articulate the history, style, content, and context of each work, with technical notes offering insight into the artists' working methods. The volume also contains introductory biographies of each artist, as well as an up-to-date bibliography for each painting.